It was Henry Fuseli who translated Winckelmann’s text Reflections on the Painting and Sculpture of the Greeks (1765) to English he would have undoubtedly been significantly familiar with these new-age thoughts and beliefs. Portrait of Johann Joachim Winckelmann (1764) by Angelica Kauffmann Angelica Kauffmann, Public domain, via Wikimedia Commons His seminal text Thoughts on the Imitation of Greek Works in Painting and Sculpture (1755) influenced the visual arts and set a framework in a way for how art should be. The movement is believed to have started in Rome, which is also where Winckelmann lived. One of the leading figures from this above-mentioned movement was Johann Joachim Winckelmann, who believed that “imitating” the ancients was the only path to greatness. With this, some of the movements that emerged were Neoclassicism, which followed the ideas of nobility, simplicity, and the Classical ideas from Greek and Rome. The Enlightenment era also moved away from the religious rigors of the Catholic Church and enabled a new type of freedom of the individual, especially through thought and expression. Newton was considered part of the Scientific Revolution, which was a precursor to the Age of Enlightenment. This also included the scientist and mathematician Sir Isaac Newton and his seminal text Philosophiæ Naturalis Principia Mathematica (1687). 1649-1700) by Frans Hals After Frans Hals, Public domain, via Wikimedia Commons This led to many following the famous statement from his text, which was written in French, “Je pense, donc je suis”, which in English means “I think, therefore I am”. Some of the primary scholars of the time believed to have contributed to the origins of the Age of Reason was the philosopher René Descartes and his writings, such as Discourse on the Method of Rightly Conducting One’s Reason and of Seeking Truth in the Sciences (1637). Many turned to the classical tenets from the Renaissance Humanism movement and sought to follow the philosophical, intellectual, and scientific concepts that came from it, which involved ideas like logic, clarity, symmetry, and rationality. This was a significant time in the development of European thought known as the “Age of Reason” or “Age of Enlightenment”. When Fuseli painted The Nightmare, it was the 1700s in Europe. Henry Fuseli (originally named Johann Heinrich Füssli)ĭetroit Institute of Arts, Detroit, MichiganĬontextual Analysis: A Brief Socio-Historical Overview We will also look at the question, “How much is The Nightmare by Henry Fuseli worth?”. This is followed by a formal analysis of The Nightmare painting, its subject matter, and other stylistic aspects. His work has been regarded as Gothic, grotesque, and some say he is “godfather” to Surrealism.įantastical and fearful, below we will provide The Nightmare analysis, starting with a brief contextual analysis, giving some background to the various influences that shaped Fuseli’s perceptions and beliefs. Henry Fuseli was a prominent artist during the 18 th century, he painted scenes steeped in supernatural motifs, depicting characters we find from age-old literature and mythology. The Nightmare (1781) By Henry Fuseli in Context Portrait of Henry Fuseli (1778) by James Northcote James Northcote, Public domain, via Wikimedia Commons He was an influence on many well-known artists like William Blake and J.M.W Turner, among others. When he moved back to London in 1779, he exhibited at various Royal Academy exhibits as well as continued with a career in writing and translating.įuseli accomplished a considerable amount during his artistic career and met many significant figures in the art, literature, and philosophical worlds. He was greatly influenced by the art and artists there and met Anna Landolt whom he loved deeply, but could not marry. He also traveled to Italy in 1770 and stayed there for almost eight years. Fuseli moved to Germany and then to London and was influenced by the Enlightenment at the time. Fuseli attended Caroline College of Zürich at his father’s request, who wanted him to be a Minister, which he became in 1761. Fuseli was exposed to art from an early age because his father, Johann Caspar Füssli, was an artist and writer. Henry Fuseli’s original name was Johann Heinrich Füssli, and he was born in 1741 on February 7 in Zürich, Switzerland. 6.2 How Much Is The Nightmare By Henry Fuseli Worth?.5 It Is Sublimely Beautiful and Terrifying.4.1 A Love Lost – Who Was Anna Landolt?. 4 What Does The Nightmare Painting Symbolize Exactly?.3 Formal Analysis: A Brief Compositional Overview.2.1 Contextual Analysis: A Brief Socio-Historical Overview.2 The Nightmare (1781) By Henry Fuseli in Context.1 Artist Abstract: Who Was Henry Fuseli?.
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